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General Information
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| Manufacturer |
Midas |
| Manufacturer Part Number |
VENICE 240 |
| Product Line |
Audio Consoles |
| Product Name |
VENICE 240 |
| Marketing Information |
Venice is Midas' first truly compact console built in direct response to customer demand.
It does exactly what was asked in that it provides a high quality alternative in a huge number of applications where previously Midas was not an option.
These range from smaller conference or live band applications, to effects returns or additional inputs in a large multi-console application, or indeed as part of a small complete mobile system.
It also provides the perfect feature set for live acts who need to mix their own FOH and monitor sound from on-stage, and is compact and light enough to fit on even the most cramped performance area.
As usual, Midas has paid attention to the details that set their consoles apart taking care to provide high quality mic preamps and a stable, responsive EQ section, just as they do on their larger consoles.
The simple but intuitive outputs make the overall configuration of the console extremely quick and easy to use. |
| Features |
| Inputs |
Mono-Inputs (Mic/Line) with Inserts 16
Stereo-Line/Mono-Mic-Input Channels 4/4
Stereo-Effect-Returns (Line) 4
Stereo-Tape-Return (Line) 1 left/right |
| Busses |
Subgroups 4
Aux Pre-Fader (Monitor) 2
Aux Post-Fader (Effects) 2
Aux switchable Pre/Post-Fader 2
Master L/R 2
Mono-PFL 1
Stereo-AFL 2 |
| Outputs |
Subgroups (with Inserts) 4 impedanced balanced 1/4 inch jacks
Aux Pre-Fader (Monitor) 2 XLR (balanced)
Aux Post-Fader (Effects) 2 impedanced balanced 1/4 inch jacks
Aux switchable Pre/Post-Fader 2 XLR (balanced)
Master (with Inserts) 2 XLR (balanced)
Master B Out 2 XLR (balanced) (switchable Mono/Stereo, pre-post Fader) 2 XLR (balanced)
Tape Send (Recording) 1 Stereo (Phono)
Direct Outputs (1/4 inch Jack) 16
Stereo-Headphones 2 Stereo-1/4 inch jack
Stereo-Speakers 2 impedanced balanced 1/4 inch jacks |
| Additional Features |
Connector for desk lamps 2 x 12V/5W (4-Pin XLR)
19“-rack-mounting- kit, -
rotatable connector panel - |
| Accessories |
Dust Cover (included)
12 V Desk Lamp (not included)
Input Transformer (not included) |
| Specifications |
| Input Impedance |
Mic 2 Kohms Balanced
Line 20 Kohms Balanced |
| Input Gain |
Mic Continuously variable 0dB to +60dB
Line (Mono Channell) Continuously variable -20dB to +40dB
Line (Stereo Channel) Continuously variable -10dB to +20dB
Line Level Inputs 0dB |
| Maximum Input Level |
Microphone and Line +22dBu
Line Level Inputs (Mono) +42dBu
Line Level Inputs (Stereo) +22dBu |
| CMR at 1kHz |
Mic (Gain +30dB) > 80dB
Line > 40dB |
| CMR at 100Hz |
Mic (Gain +30dB) 70dB typical |
| Frequency Response (20Hz-20kHz) |
Mic to Mix (Gain +60dB) + 0dB to -1dB |
| Noise (20Hz-20kHz) |
Mic EIN ref. 150gain +60dB -129dBu
Mic EIN ref. 150gain 0dB -107dBu |
| System Noise (20Hz-20kHz) |
Summing Noise (12 channels routed, faders down) -90dBu
Line to Mix Noise (12 channels routet at 0dB) -84dBu |
| Distortion at 1kHz |
Mic to Insert (+30dB Gain. +20dBu Output) Typ 0,0007%
Mic to Master (+30dB Gain, +20dBu Output) < 0,009% |
| Crosstalk at 1kHz |
Channel to Channel < -80dB
Mix to Mix < -80dB
Channel to Mix < -80dB
Fader Attenuation > 100dB
Switch Rejection > 100dB |
| Output Impedance |
Line Outputs 75 Ohm balanced
Headphones to drive 32 Ohm |
| Maximum Output Level |
Master Outputs +25dBu
Line Outputs +22dBu
Headphones +22dBu / 600 |
| Nominal Signal Level |
Microphone - 60dBu to 0dBu
Line 0dBu |
| Equaliser Mono Channel |
Hi Pass Filter 2nd order Butterworth, 80Hz
Treble +/-15dB at 12kHz (Shelv)
Hi Mid Continuously variable 100Hz to 2kHz (1 Oct) +/-15dB
Lo Mid Continuously variable 400Hz to 8kHz (1 Oct) +/-15dB
Bass + /-15dB at 80Hz (Shelv) |
| Equaliser Stereo Channel |
Treble +/-15dB at 12kHz (Shelv)
Hi Mid 3kHz (1,4 Oct) +/-15dB
Lo Mid 300Hz (1,4 Oct) +/-15dB
Bass +/-15dB at 80Hz (Shelv) |
| Size (mm/inch) |
Width 698 / 27.5“
Depth 568 / 22.4“
Heights 194 / 7.6“ |
