All the function groups of the PowerMate are 100% professional in terms of their design and specification. First comes the mixing section, where you will find high-quality, discrete microphone preamps, new, dustproof ALPS faders (specially developed for the PowerMate) with very high attenuation even in the HF range, 48V phantom power switchable to the channels in groups of six and a dynamic range that would put most dedicated professional mixers to shame. AUX 3+4 are separately switchable pre/post fader. Then come the ultra-effi cient Class H power amplifi ers, which now deliver 2 x 700 W into 4 Ohms (PM 1000 and 1600). They are equipped with dynamic limiters, an extensive range of protections and the patented LPN fi lter for clearly improved bass performance. Finally in the effects section, the two digital effects processors offer 99 studio quality presets each and are individually foot-switchable. On top of these, there are many other useful features designed to solve special problems, such as the two feedback fi lters, the vocal voicing fi lter and the standby switch. This is a powered mixer that can also be used as a pure mixer, with power amplifi ers every bit as good as dedicated 19“ concert sound amplifi ers, and studio quality effects specially optimised for live performance. Housed in a robust case with a sturdy metal lid, the PowerMate is manufactured in Germany to the highest standards. Nothing else sounds like it. Nothing else performs like it. And nothing is as reliable.
Specifications
Maximum Midband Output Power, 1 kHz, THD=1%:
-
Rated Output Power, THD=0.1%, Single Channel:
-
Maximum Output Voltage of power amplifi er, no load 70 Vrms
THD at 1kHz, MBW=80kHz:
-
MIC input to Main L/R output, +16 dBu, typical < 0.005%
Power amplifi er input to Speaker L/R output < 0.01%
DIM 30, power amplifi er < 0.01%
IMD-SMPTE, power amplifi er, 60Hz, 7 kHz < 0.01%
Frequency Response, -3dB ref. 1kHz:
-
Any input to any Mixer output 15Hz ... 80kHz
Any input to Speaker L/R output 20Hz ... 70kHz
Fader and AUX-Send attenuation > 85 dB
Channel to channel > 80 dB
CMRR, MIC input, 1kHz > 80 dB
Input Sensitivity, all level controls in max. position:
-
MIC input -74 dBu (155 μV)
LINE Input (Mono) -54 dBu (1.55 mV)
LINE Input (Stereo) -34 dBu (15.5 mV)
Power Amplifi er Input +6 dBu (1.55 V)
Maximum Level, mixing desk:
-
Mono Line inputs + 41 dBu
Stereo Line inputs + 30 dBu
All other inputs + 22 dBu
Record Send output + 14 dBu
All other outputs + 22 dBu
EQ Input and 2 Track Return 8 k ohms
All other inputs > 15 k ohms
All other outputs 75 ohms
Equivalent Input Noise, MIC Input, A-weighted, 150 ohms -130 dBu
Noise, Channel inputs to Main L/R outputs, A-weighted:
-
Master fader down -95 dBu
Master fader 0 dB, Channel fader down -90 dBu
Master fader 0 dB, Channel fader 0 dB, Channel gain unity -83 dBu
Signal/Noise-Ratio, power amplifi er, A-weighted 105 dB
LO Shelving ± 15 dB / 60 Hz
MID Peaking, mono inputs ± 15 dB / 100 Hz ... 8 kHz
MID Peaking, stereo inputs ± 12 dB / 2.4 kHz
HI Shelving ± 15 dB / 12 kHz
Master EQ, 2x7-band, 63, 125, 400, 1k, 2k5, 6k, 12k Hz ± 10 dB / Q=2.0
Power Consumption at 1/8 maximum output power, 4 ohms 640 W
Dimensions, (WxHxD), mm 514.5 x 210.5 x 504.5
Weight, without lid / including lid 20 kg / 21 kg
Optional
RMK-1000 (Rack-Mount-Kit PowerMate1000-2) 112 698, Gooseneck Lamp, 12V/2.4W, 12“, XLR 112 700, FS11 (Footswitch) 110 693