Renkus-Heinz ICL-LM-FR ลำโพง 7 Channel Fixed Install Self-Powered Low-Mid Array module with RHAON
ICL-LM-FR low-mid frequency modules are designed to complement full-range IC Live arrays in venues needing well controlled low-mid frequency directivity. Their seven 6.5 inch low frequencyneodymium transducers significantly improve low-mid frequency pattern control and performance
Unparalleled Low-Mid-Frequency Directivity and Control
Transparent Solutions
• Corporate Events
• Live Concerts
• Political Rallies
• Theatrical Productions.
• Museums: lobbies, galleries, etc.
• Resorts, Theme Parks
• Any environment where enjoyable music and/or intelligible speech are critical
POWERFUL • MUSICAL • INTELLIGIBLE
Adaptable, Articulate, Invisible
Digital beam steering puts IC Live output where it belongs: on the audience, not walls or ceilings. Computer software lets you define the opening angles for multiple sonic beams and individually aim each beam up or down. Meanwhile, the slim enclosures stay vertical and inconspicuous.
Powerful, Accurate, Musical
Iconyx transparent technology controls sound with DSP intelligence, not cumbersome bruteforce techniques. High-current audiophile outputstages power each light, efficient transducer in IC Live arrays individually. Even at 100 feet, SPL is an impressive 105 dB (108 dB when stacked). The output of IC Live arrays is flat from 80 Hz to 20 kHz.
RHAON Empowered, One-Touch Presets, Intuitive Software
RHAON empowered IC Live arrays provide a full set of remote control and supervision functions, along with the ability to store multiple preset configurations in memory. For more complex situations, Iconyx BeamWare software makes it easy to shape the array’s coverage to the audience area.
Easy To Install
IC Live ICL-FR-TRIP arrays are equipped with attachment points making them easy to suspend from the ceiling. Hinged mounting hardware is available for wall mounting. It allows the array to be turned away from the wall for easy signal and power connections and then locked into place against the wall after installation.
Technical Information
|
Sensitivity: |
|
1.0 V (for rated power output) |
Freq. Range: |
|
80 Hz to 20 kHz (in stacked arrays) |
Max SPL: |
|
105 dB peak @ 100 Ft. (30.5 m) |
Horiz. Dispersion: |
|
150° up to 3 kHz |
Vert. Opening Angles: |
|
20°, 25° and 30° |
Aiming Angle: |
|
Adjustable from -30° to +30° |
Typical Throw: |
|
66 Ft. (20 m) 132 Ft. (40 m) when stacked |
No. Transducers: |
|
Seven 6.5-inch cone transducers with neodymium magnets |
No. Amp. Channels: |
|
7 |
Dimensions: |
|
48” H x 8” W x 7” D
(122 cm x 20.3. cm x 17.8 cm) |
Weight: |
|
58.5 Lbs (26.5 Kg) Net |
Hardware: |
|
Metric M10 attachment points
Hinge kits |
Enclosure: |
|
Finnish Birch with perforated steel grille |
Inputs: |
|
Analog Audio & AES/EBU Inputs: Looping XLR (female in, male out) and Phoenix 6-pin (looping 3-in, 3-out)
CobraNet: Dual connectors (for CAT 5e copper cable) |
Controls (Rear Mounted): |
|
Mute button
Up & Down Output Level push buttons
10 dB Input pad (on Analog 1 input)
Push-To-Reset circuit breaker, Configuration Preset Selector |
Computer COntrols: |
|
Gain, Mute, On/Standby, Input Selection, Compression, 9-Band Parametric EQ, Shelving & Rolloff Filters, Delay, Configuration Preset Readout |
Status Indicators: |
|
Power, Signal, Overdrive, Thermal, Mute, Input Pad, Failure, Preset Configuration |
Power Connector: |
|
Powercon locking connector |
Standard Finish: |
|
Black paint |
Network Digital Format: |
|
16, 20 or 24 bit PCM; 48 or 96 kHz sample rate; selectable network latency |
|